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  Games  Game Ownership Rights: Workers’ Rights, Fair Compensation & Industry Demands
Games

Game Ownership Rights: Workers’ Rights, Fair Compensation & Industry Demands

Andrew LudgateAndrew Ludgate—August 8, 20250
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Ubisoft’s recent decision to close the servers for “The Crew,” a well-known online racing game launched in 2014, has sparked significant discontent among players. This action signals not just the conclusion of a game but also ignites a larger discussion regarding digital ownership. Gamers are voicing their frustration over what they perceive as a denial of access to a product they purchased. This discontent led to the emergence of the Stop Killing Games (SKG) movement, which, as of July 2025, has amassed over 1.4 million signatures via the European Citizens’ Initiative, compelling the European Commission to take notice and respond. Central to this debate is a seemingly straightforward question: what exactly do we acquire when purchasing a video game? Traditionally, gamers viewed a game as a tangible product they owned outright. However, the rise of live service games has complicated this understanding. These games, often requiring subscriptions or in-game purchases for additional content, include popular titles like Fortnite, League of Legends, and World of Warcraft. Players are increasingly realizing that their purchase equates to mere access, a privilege that can be revoked at any moment.

Contents

  • 1 Consequences of Server Shutdowns Extend Beyond Games
  • 2 Potential Regulatory Changes and Their Impact
  • 3 Overlooked Challenges Faced by Game Developers

Consequences of Server Shutdowns Extend Beyond Games

The implications of Ubisoft’s announcement extend far beyond “The Crew.” In recent years, numerous games have been discontinued, including titles like Anthem, Concord, Knockout City, Overwatch 1, RedFall, and Rumbleverse. Companies often have legitimate reasons for ceasing support for a game, particularly in an industry characterized by fierce competition and tight profit margins. When an online game fails to meet performance expectations, publishers may find it more prudent to cut their losses. Games often accumulate complex bugs, leading to player dissatisfaction. Research indicates that when a game becomes unprofitable or too challenging to maintain, shutting it down can be a rational decision from multiple perspectives. However, the closure of a live service game’s servers doesn’t merely erase the game itself; it dismantles the communities that have formed around it, as well as the digital assets players have acquired and the countless hours they have invested. The sudden disappearance of a game often occurs without any recourse or compensation for players, which raises significant cultural concerns. Games are not merely software; they are artistic creations that cultivate shared experiences and communities. Players engage deeply with games, crafting narratives, forming friendships, and expressing themselves in virtual environments. The abrupt termination of these spaces can feel akin to erasing a significant part of their lives. This disconnect between corporate rationale and player sentiment has been a catalyst for the SKG movement, as game publishers have underestimated the cultural ramifications of their shutdowns.

Potential Regulatory Changes and Their Impact

The European Commission’s forthcoming response to the Stop Killing Games petition holds the potential to shape the future landscape of digital ownership, cultural preservation, and ethical practices in the gaming industry. Players affected by the discontinuation of games often feel misled and believe they deserve compensation. Unfortunately, the current framework offers minimal transparency and scant consumer protection. This is where regulation can play a pivotal role. The European Commission has an opportunity to clarify what consumers within the EU are actually acquiring when they purchase live service games. A sensible starting point would involve mandating that companies disclose whether a purchase grants ownership or merely limited access, similar to recent laws enacted in California. Establishing minimum support periods, providing clearer content roadmaps, and requiring companies to develop offline versions of discontinued online games could significantly reduce confusion. Additionally, companies could explore creative solutions, such as allowing player communities to take over the maintenance of games, enabling ongoing content creation, particularly for those titles with dedicated fan bases. This practice, known as “modding,” has, in some instances, led publishers to reissue enhanced versions of games years later.

Overlooked Challenges Faced by Game Developers

An often-neglected aspect of this narrative is the plight of the individuals who create these games. Video game developers frequently endure long hours, unfavorable working conditions, and toxic workplace cultures to meet the demands of continuous live service updates. Research has shown that the current model of perpetual content creation and ongoing support is unsustainable, not only from a financial and technological standpoint but also in terms of worker well-being. Instead of experiencing periodic “crunch” periods, live service developers find themselves in a state of constant “grinding.” This model has worsened the already challenging conditions in an industry known for its high demands on workers. Policymakers must advocate for the protection of both players and the developers who create games. This entails reevaluating release schedules, enforcing necessary rest periods for development teams, and holding companies accountable for the welfare of their staff. The overall health of the gaming industry is contingent on addressing these concerns. Whether or not one supports the SKG movement, the issues it raises are pressing. While the question of ownership is crucial, it’s equally important to ensure that video game developers receive the protection and care they deserve. The European Commission’s response could play a critical role in shaping the future of digital ownership, cultural preservation, and ethical labor within the gaming industry.

Andy Ludgate
Andrew Ludgate

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